Dare to Submit Your Horror Work?

At Christina Escamilla Publishing, we curate multi-author anthologies and horror collections that celebrate bold, original voices. Check back often for upcoming submission opportunities.


2026 Calls for Submissions

Releasing the Monsters

Submission Window: Now - March 1st, 2026
Payment: $0.06/word
Length: 2,500–5,500 words
Reprints: Not Accepted
Simultaneous Submissions: Not Accepted

About the Anthology

I began writing horror prompts in 2015, and while I’ve heard from countless writers over the years about how those ideas helped them craft new and original stories, a decade later I still haven’t had the pleasure of reading those wonderful creations myself.

Until now!

Releasing the Monsters is the first in a new series of horror anthologies based on my 500 Horror Writing Prompts collection. We’ll start with Monsters Unleashed. For this anthology, craft a short story based on one of the prompts and include the prompt number that inspired you.

How closely you follow the original setup is up to you. My team and I are looking for stories that feel alive, that gnash and howl, and that remind us why monsters are the cornerstone of horror.

Below is the next date 500 Horror Prompts: Monsters Unleashed will be free on Amazon Kindle:

November 21st, 2025

Christina Escamilla open submissions call
View My Prompt Books

Blood & Storybook

Submission Window: Now - July 1st, 2026
Payment: $0.06/word or Reprint $0.02/word
Length: 2,500–5,500 words
Reprints: Accepted
Simultaneous Submissions: Accepted

About the Anthology

You may know that the original Grimm stories were far darker than the animated films they inspired. Many early fairy tales and nursery rhymes were, at their core, morality plays that exposed greed, jealousy, cruelty, and other human flaws.

In Blood & Storybook, I want to hear from the characters who live within these timeless tales. Choose a story that is firmly in the public domain (no modern or trademarked adaptations), and retell it in the first person, as if the character is speaking directly to the reader.

Be creative, be bold, and most importantly, have fun. Chosen stories will appear alongside my short story “Mary Had a Little Problem.”

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Fear Itself: Critical Essays From The Horror Community

Submission Window: Now - November 1st, 2026
Payment: $0.08/word
Length: 1,500–3,000 words
Reprints: Not Accepted
Simultaneous Submissions: Not Accepted

About the Collection

What does horror mean to you? That is the question I want you to explore in this collection. These essays should reflect how you interpret and use horror as a genre. Perhaps you are a writer, a filmmaker, or a performer who weaves horror into your art.

The goal of Fear Itself: Critical Essays From the Horror Community is to showcase the incredible diversity of voices within horror and to reveal how the genre often mirrors our truest selves. How you approach this is entirely up to you. My team and I are seeking essays that inspire, challenge, and captivate, essentially pieces that explore why horror matters and how it shapes the way we see the world.

You are welcome to include photos, artwork, or other visual elements that complement your essay, though payment will be based on word count only. Your voice should always remain the focus.

While I will not be contributing an essay myself, I will be writing the foreword for this collection.

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Send Us Your Submission

Thank you for your interest in submitting to one of our open calls. Please complete the form below and upload your story or essay for consideration. If you have any questions, feel free to reach out at submissions@stinaesc.com.

 Your Questions About Submitting To Christina Escamilla Publishing

I know submitting your work can feel nerve-wracking, especially to someone you’ve never met. I created this FAQ to be transparent about how my anthologies work, what I’m looking for, and what happens behind the scenes.

  • My team will perform a séance to see what happens next.

    In all seriousness, I have a contingency plan in place. If anything ever happens to me, the projects will still move forward. I’ve made sure the anthologies will be completed, edited, and published whether I’m here or haunting from the other side.

  • You’re right to ask, but I’ve never done this alone. My projects involve editors, proofreaders, cover designers, and assistants. Christina Escamilla Publishing has always been a DBA representing a small, collaborative team. I’ve learned a lot since my first anthology nearly a decade ago, and I continue to strive to create memorable, meaningful works.

  • My background is in marketing, with nearly twenty years of experience overall and about eight specializing in SEO and SEM. I promote each anthology through organic search strategies, targeted outreach, and occasional paid ads. I don’t promise viral success, but I do make sure every book is discoverable and represented with care.

  • It usually comes down to fit, tone, and balance within the anthology. I receive far more submissions than I can include, and each book has a strict budget and word count cap. If your piece wasn’t selected, it’s not necessarily a reflection of quality. My advice is to keep writing and try again. Many authors return stronger the next round.

  • Not unless you can fool me. I work with SEO and language models daily and can usually spot AI-written work. Repetitive phrasing, flat tone, or overly polished rhythm gives it away. I’m looking for stories that have a human voice. Besides, you owe it to yourself to tell your story, not an algorithm’s.

  • You retain all copyright ownership. If your story is accepted, you grant Christina Escamilla Publishing permission to include it in the anthology in all formats, print, ebook, hardcover, and audiobook, and to use excerpts for promotional purposes. Rights then revert to you after the publication period stated in your contract.

  • Yes! Every accepted author receives a contributor package that includes a hardcover copy and a few fun goodies. I believe in celebrating contributors properly because it’s a big deal to have your work published.

  • Yes. You can submit one story to each of my open calls during the same submission window. However, please send only one story per anthology at a time. This keeps the process fair for everyone and helps my team manage submissions efficiently.

  • The beauty of horror is that it means something different to everyone. There are three of us reading through submissions, and I think I can speak for all of us when I say we want stories that make us pause and whisper, “Wow.” Emotional depth is everything. Shock and gore are fine if they serve that purpose.

  • Payments are made through PayPal within 30 days of signing the contract. Original fiction pays six cents per word, reprints two cents per word, and essays eight cents per word.